A large-scale canvas pulsing with bold, fragmented text and gestural marks rendered in silkscreen ink, *Untitled (Days)* reflects Adam Pendleton's ongoing interrogation of language, abstraction, and Black identity. The work layers partially legible words and graphic elements, creating a visual tension between legibility and dissolution. Pendleton's signature use of black and white reinforces a stark yet poetic meditation on time, history, and the everyday.