A monumental figure strains under the weight of a bed strapped to his back, rendered in the rich, tactile textures of mohair and silk embroidery that are characteristic of Kentridge's collaboration with the Stephens Tapestry Studio. The work draws on Kentridge's ongoing exploration of labor, burden, and the colonial legacy of South Africa, evoking the anonymous porters and workers whose physical toil has long been rendered invisible by history. The tapestry medium transforms his signature charcoal-like aesthetic into a luminous, woven surface, bridging the handcrafted and the political.