A striking work on paper by British artist Toby Ziegler, *Equivalents for Megaliths 7* employs ink to explore the tension between digital abstraction and ancient, monumental form. Ziegler's characteristic process of translating three-dimensional digital models into hand-rendered marks produces a fragmented, faceted imagery that feels simultaneously mechanical and deeply human. The work evokes both the weight of prehistoric stone structures and the geometry of contemporary data, bridging vast spans of time through a restrained yet complex visual language.