Kendell Geers presents two works that explore the tension between the sacred and the profane through contrasting mediums. *Demon est Deus Inversus 24* (2011) employs Indian ink on Plexiglass mirror, its reflective surface implicating the viewer within Geers' destabilising inversion of divine and diabolical forces. *La Sainte Vierge* extends this dialogue through delicate watercolour on paper, subverting the devotional intimacy of the medium to interrogate notions of sanctity and transgression.