A richly layered composition rendered in oil on canvas, this early work by Thomas Scheibitz demonstrates his characteristic blending of abstraction and figuration, where fragmented forms and muted tones coexist in a carefully balanced tension. The painting resists straightforward interpretation, drawing from the visual language of signage, architecture, and everyday imagery while distilling these references into ambiguous, semi-recognizable shapes. Titled simply *Ohne Titel* (Untitled), the work invites open-ended contemplation, reflecting Scheibitz's enduring interest in the space between representation and pure pictorial logic.