Frankenthaler pioneered lyrical abstraction using poured and stained color on paper and canvas, creating the same interplay between vivid chromatic pools and exposed white ground that defines this Francis work. Her gestural spontaneity and use of breathing voids within color saturated compositions mirror the energetic yet meditative quality seen here.

Mitchell's gestural abstract works share the explosive brushstroke energy and bold saturated color of this Francis piece, with blues, yellows, and reds applied with visceral spontaneity against open white space. Her works on paper particularly echo the chromatic intensity and radiating movement visible in this untitled acrylic.

Jenkins worked in lyrical abstraction using poured acrylic that created flowing pools and radiating splashes of vivid color against white surfaces, directly paralleling Francis's signature technique and aesthetic. His chromatic cascades and the tension between color saturation and open white ground are remarkably close to the qualities of this specific work.