A vast expanse of pale, luminous canvas is punctuated by one or two deliberate brushstrokes of concentrated pigment, where rich oil paint appears to emerge from and dissolve back into the surrounding void. Lee Ufan's restrained mark-making embodies his Mono-ha philosophy, inviting a meditative dialogue between presence and absence, gesture and stillness. The painting breathes with quiet tension, as the densely worked strokes seem to resonate across the open field like a whispered exchange between matter and space.