Ernst Neizvestny's "Study for Sculpture" is an ink and brush drawing that captures the artist's exploration of three dimensional form through gestural, dynamic linework. The work demonstrates Neizvestny's characteristic approach of translating sculptural concepts onto the two dimensional plane, using bold strokes and spatial composition to suggest volume and movement. As a preparatory study, the drawing reflects the Soviet artist's innovative method of developing monumental sculptural ideas before their realization in physical materials.