A fragmented and layered exploration of memory and popular culture, this work by Christian Marclay draws on the visual and sonic residue of mass-produced music. True to Marclay's practice of appropriating found materials, the piece likely incorporates elements of vinyl records, album art, or other music-related ephemera associated with the British reggae-pop band UB40. The work reflects Marclay's ongoing investigation into the intersection of sound, image, and collective remembrance.