A deconstructed hollow-core door serves as both the canvas and conceptual anchor for Charles Mayton's *Nice Room (Blue Interior)*, blurring the boundary between architectural material and painted surface. Layers of oil and collage build a cool, blue-tinged interior space, evoking the quiet familiarity of domestic life while simultaneously fragmenting it. The work's unconventional support charges the image with a subtle tension between the idea of a room and the literal remnant of one.