Two photographic prints—one platinum and one gelatin silver—are transformed into a richly layered double-sided collage through Beard's signature embellishments of ink, pencil, paint, and affixed photographic fragments. Capturing orphaned cheetah cubs in Kenya's Mweiga Park and the haunting remnants of a fallen beast, the work weaves together images spanning decades to meditate on wildlife, loss, and the fragile boundary between life and death in Africa. Beard's obsessive, diary-like interventions blur the line between documentation and personal mythology, turning the photographs into dense, visceral records of a vanishing world.