A carefully composed photographic or archival work, *Espectador del naufragio (Merida 541)* reflects Iñaki Bonillas's characteristic investigation into memory, image, and the passage of time. The title, translating to "Spectator of the Shipwreck," evokes a sense of contemplative distance, positioning the viewer as a witness to something lost or in a state of ruin. Drawing from his ongoing engagement with personal and collective archives, Bonillas transforms documentary material into a meditation on the fragility of historical record.