Walter Leblanc's "Torsions 100C 99" employs yellow and orange polyvinyl strips arranged on a masonite panel to create a dynamic composition that explores color interaction and spatial tension. The work exemplifies Leblanc's interest in kinetic and optical effects through the systematic manipulation of colored materials, inviting the viewer to perceive shifts in depth and movement. This piece reflects the artist's engagement with abstract geometric principles and the perceptual possibilities of color relationships in constructivist practice.