Two chromogenic prints by William Christenberry capture the lush, encroaching presence of kudzu vines and the weathered surface of a tin wall in the American South. Printed on Kodak paper with full margins, the works reflect Christenberry's signature documentary approach to the rural landscape of Alabama, where nature and decay intertwine. Together, the images evoke a quiet poetry of time, memory, and the relentless reclamation of the land.