In this provocative work, Wim Delvoye tattoos the image of Bin Laden alongside Christian and Muslim iconography — including Bernini's *Saint Teresa in Ecstasy* and the Hand of Fatima — onto the preserved skin of a pig, rendered in deep blue ink reminiscent of a ballpoint pen. The pale, hair-covered skin initially unsettles the viewer with its uncanny resemblance to human flesh, before a deeper layer of transgression emerges through the deliberate desecration of sacred symbols from multiple faiths. By inscribing these loaded religious and political images onto pork — a creature forbidden in both Islamic and Judaic traditions — Delvoye constructs a densely layered provocation that challenges cultural, religious, and political boundaries simultaneously.