Invader's 'Trouble Edward Snowden' brings the collection's most explicitly political charge, immortalizing the NSA whistleblower in ceramic tiles on aluminium — a material pairing that carries pointed conceptual weight given Snowden's exposure of mass digital surveillance infrastructure. The ceramic tile medium, rooted in Invader's mosaic street art tradition, deliberately invokes ancient forms of public monument while translating them into the pixelated grammar of the digital age, suggesting that Snowden occupies a place in contemporary history as significant as any classical hero. Aluminium as a substrate evokes industrial and governmental architecture — servers, panels, facilities — linking the physical object to the surveillance apparatus Snowden defied. The 'Trouble' prefix in the title connects the work to the broader Triple Trouble framework while also functioning as a double meaning: Snowden as a figure who created trouble for power, and who has lived in perpetual trouble since. The piece positions street art's tradition of unauthorized public commentary as a natural home for Snowden's image.