Elad Lassry's pairing of *Sculpture (For Park)* (2011) and *Woman (Head Shot)* (2010) reflects his characteristic investigation into the conventions of image-making, photography, and the nature of representation. The chromogenic print, housed in the artist's signature colored frame, draws attention to the photograph as a physical object rather than a transparent window onto its subject. By juxtaposing a sculptural reference with a portrait format, Lassry interrogates the relationships between the human figure, art historical objects, and the commercial aesthetics that shape how images are produced and consumed.