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Christopher Williams — c-print
Christopher Williams

c-print

2008

Christopher Williams's *c-print* exists in a space of deliberate ambiguity, where the title's clinical reference to chromogenic printing collapses the distance between the artwork and its own means of production. The work engages with the conceptual legacy of photography as a medium, inviting viewers to question the relationship between image, process, and institutional framing. Williams's characteristically rigorous approach foregrounds the material and ideological conditions through which photographic meaning is constructed and circulated.

🔨 Auction Lot

20th Century & Contemporary Art Day Sale

October 5, 2017

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About this work

Christopher Williams, c-print, 2008

Christopher Williams's *c-print* exists in a space of deliberate ambiguity, where the title's clinical reference to chromogenic printing collapses the distance between the artwork and its own means of production. The work engages with the conceptual legacy of photography as a medium, inviting viewers to question the relationship between image, process, and institutional framing. Williams's characteristically rigorous approach foregrounds the material and ideological conditions through which photographic meaning is constructed and circulated.

Year
2008
Seen at
Phillips, New York, London, Hong Kong

Related themes

Analytical Mood, Postmodern Art, Conceptual Photography, Institutional Critique, Color Photography, Male Artist, Cool Tones, Analytical Composition, Archival Photography, Conceptual Art, Photographic Medium, Contemporary Artist, American Artist, Photographic Art, Neutral Tones, C-Print Photography, Archival Print

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