This 1967 etching by Ben Nicholson exemplifies the artist's characteristic engagement with geometric abstraction and horizontal linear forms, as evidenced by the work's title referencing the Greek island of Euboea. The print, a cancelled proof marked "OK proof" and bearing cancellation in red crayon, represents a sophisticated exploration of line and space on paper, published by François Lafranca in Locarno as part of an edition of 50. Nicholson's refined use of plate tone and precise compositional restraint demonstrate his continued investigation into the relationships between form, line, and the pictorial plane throughout his career.