Agostino Bonalumi's *Bianco e Nero* exemplifies his signature approach of pushing and pulling canvas from behind to create dynamic, relief-like forms that blur the boundary between painting and sculpture. Rendered in stark black and white vinyl tempera on a shaped canvas, the work uses the tension of protruding and receding surfaces to generate a sense of rhythm and depth without relying on traditional representation. The result is a visually striking interplay of light and shadow that brings the flat picture plane into three-dimensional space.