A striking example of interwar avant-garde photography, this gelatin silver print captures Imre Kinszki's own reflection distorted and curved within the convex surface of a car headlight. The circular form of the headlight acts as a funhouse mirror, compressing and warping the artist's image while simultaneously framing it like a porthole into another dimension. The work exemplifies Kinszki's masterful exploration of everyday objects as vehicles for surreal self-examination and formal experimentation.