Oliver Laric's *Wholeness and the Implicate Order* takes its title from physicist David Bohm's influential 1980 theoretical text, suggesting an engagement with ideas of hidden interconnectedness and the folded layers of reality beneath visible surfaces. Laric, known for his interrogation of copying, transformation, and the fluid nature of images across time and media, invites reflection on how forms evolve, fragment, and reassemble within cultural and digital circulation. The work continues his broader investigation into the porous boundaries between original and reproduction, order and entropy.