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Georg Baselitz — Untitled (from Eine Woche)
Georg Baselitz — Untitled (from Eine Woche)
Georg Baselitz — Untitled (from Eine Woche)
Georg Baselitz — Untitled (from Eine Woche)
Georg Baselitz

Untitled (from Eine Woche)

1972

Georg Baselitz ’s Untitled (from Eine Woche) is a signed etching on chine-collé mounted to wove paper, published in the 1972 portfolio  Eine Woche by Galerie Heiner Friedrich, Munich. Created during a pivotal moment in the early 1970s, the artwork reflects Baselitz’s concentrated engagement with printmaking. The limited edition print depicts a fragmented architectural structure rendered in angular, forceful lines. Space appears unstable, with forms compressed and skewed rather than perspectivally resolved. The raw, scratch-like mark-making underscores Baselitz’s interest in distortion and psychological tension, themes that define his work of this period. As part of the 1972 portfolio, the fine art print demonstrates Georg Baselitz’s exploration of etching as a medium capable of conveying immediacy and raw intensity. The chine-collé technique enhances tonal depth while preserving the nervous energy of the etched mark. Issued in an edition of 52 and hand-signed in pencil, this impression is an unnumbered print outside the edition.

Medium
Prints
Signed
Yes

Notes

From MLTPL New Art Editions collection. Handle: georg-baselitz-untitled-from-eine-woche.

For Sale — $1900

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About this work

Georg Baselitz, Untitled (from Eine Woche), 1972

Georg Baselitz ’s Untitled (from Eine Woche) is a signed etching on chine-collé mounted to wove paper, published in the 1972 portfolio  Eine Woche by Galerie Heiner Friedrich, Munich. Created during a pivotal moment in the early 1970s, the artwork reflects Baselitz’s concentrated engagement with printmaking. The limited edition print depicts a fragmented architectural structure rendered in angular, forceful lines. Space appears unstable, with forms compressed and skewed rather than perspectivally resolved. The raw, scratch-like mark-making underscores Baselitz’s interest in distortion and psychological tension, themes that define his work of this period. As part of the 1972 portfolio, the fine art print demonstrates Georg Baselitz’s exploration of etching as a medium capable of conveying immediacy and raw intensity. The chine-collé technique enhances tonal depth while preserving the nervous energy of the etched mark. Issued in an edition of 52 and hand-signed in pencil, this impression is an unnumbered print outside the edition.

Medium
Prints
Year
1972
Edition
of 52
Signed
Hand-signed by the artist
Seen at
MLTPL, Hamburg

Related themes

20th Century, Inverted Figure, German Art, Printmaking, Figurative Art, Contemporary Art, German Expressionism, Neo-Expressionism

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