Angela de la Cruz's *Minimum (Yellow-Dark Blue)* (2004) is a striking work that pushes the boundaries between painting and sculpture, combining oil and acrylic on canvas with wood and metal supports. The canvas appears collapsed, folded, or constrained by its own structure, as though the painting itself has been subjected to physical force. De la Cruz's signature exploration of the materiality and limitations of painting is evident, with the tension between the bold yellow and dark blue tones amplifying the sense of compression and strain.