Oscar Murillo's large-scale canvas is a raw and visceral accumulation of oilstick, spray paint, enamel, and dirt, bearing the physical evidence of its unconventional making process. The work carries the marks of being folded, handled, and left to gather residue over time, resulting in layered textures that feel simultaneously deliberate and accidental. Like something fermented or slow-cooked, the painting exudes a sense of organic transformation, where time and material conditions become as integral to the work as the artist's hand.