Dissection Under a Microscope stands as one of the most viscerally compelling works in the Triple Trouble collection, merging Hirst's forensic obsession with mortality and the body with Fairey's confrontational graphic sensibility. The use of actual scalpel blades embedded alongside glass and stainless steel transforms the work into a physically dangerous object, echoing Hirst's history of using clinical and surgical materials to force viewers into an uncomfortable proximity with flesh, science, and death. Fairey's spray paint and collage on cotton rag paper grounds the piece in the street art tradition, introducing his trademark layered, propaganda-inflected aesthetic into what might otherwise read as a sterile medical tableau. Together, the materials suggest a tension between institutional authority — the cold precision of surgery and science — and the anarchic, democratizing impulse of street art. The title itself implies an act of exposure and scrutiny, inviting reflection on what it means to look closely at something, whether a body, a system, or an ideology.