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Lalla Essaydi — Converging Territories #21
Lalla Essaydi

Converging Territories #21

In *Converging Territories #21*, Moroccan-American artist Lalla Essaydi presents a monumental, four-panel chromogenic print in which a reclining woman is enveloped in layers of fabric and skin densely inscribed with Arabic calligraphy. The text, written in henna, challenges traditional boundaries between the body, language, and identity, reclaiming a space of feminine agency within the visual conventions of Orientalist painting. The sleek, face-mounted Plexiglas finish gives the work a luminous, jewel-like quality that heightens the tension between the intimate subject matter and its grand, formal presentation.

Medium
Four chromogenic prints, each face-mounted to Plexiglas and flush-mounted.

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Photographs

April 4, 2017

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About this work

Lalla Essaydi, Converging Territories #21

In *Converging Territories #21*, Moroccan-American artist Lalla Essaydi presents a monumental, four-panel chromogenic print in which a reclining woman is enveloped in layers of fabric and skin densely inscribed with Arabic calligraphy. The text, written in henna, challenges traditional boundaries between the body, language, and identity, reclaiming a space of feminine agency within the visual conventions of Orientalist painting. The sleek, face-mounted Plexiglas finish gives the work a luminous, jewel-like quality that heightens the tension between the intimate subject matter and its grand, formal presentation.

Medium
Four chromogenic prints, each face-mounted to Plexiglas and flush-mounted.
Seen at
Phillips, New York, London, Hong Kong

Related themes

Neutral Earth Tones, Figure And Architecture, Orientalism Subverted, Moroccan Artist, Contemporary Photography, Large Format Print, Calligraphy Overlay, Postcolonial Art, Identity And Gender, Female Artist

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