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Doug Aitken — the handle comes up, the hammer comes down
Doug Aitken

the handle comes up, the hammer comes down

2009

Doug Aitken's 2009 work challenges traditional photographic conventions by rejecting the static 'frozen moment' in favor of dynamic temporal representation. The artist's conceptual approach questions how photography captures and represents time.

Medium
“I have a restlessness with the way a photograph captures time. The static quality of the ‘frozen’ image or ‘decisive moment’ is not enough. I would like to smash a photograph, open it and see what’s inside.” – Doug Aitken

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February 27, 2019

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About this work

Doug Aitken, the handle comes up, the hammer comes down, 2009

Doug Aitken's 2009 work challenges traditional photographic conventions by rejecting the static 'frozen moment' in favor of dynamic temporal representation. The artist's conceptual approach questions how photography captures and represents time.

Medium
“I have a restlessness with the way a photograph captures time. The static quality of the ‘frozen’ image or ‘decisive moment’ is not enough. I would like to smash a photograph, open it and see what’s inside.” – Doug Aitken
Year
2009
Seen at
Phillips, New York, London, Hong Kong

Related themes

Time, 2009, Photography, Conceptual, Media, Doug Aitken, Contemporary

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