Trouble Charles Bukowski completes Invader's quintet of cultural portraits with perhaps its most viscerally counter-cultural subject, the raw, confessional poet and novelist whose entire literary identity was built on refusing respectability and embracing beautiful failure. Rendered in ceramic tile mosaic on aluminium, Bukowski's weathered features are translated into the clean, reductive geometry of 8-bit pixels — a visual tension that perfectly mirrors the contradiction at the heart of his work: brutal honesty given elegant literary form. Within the Triple Trouble collaboration, Bukowski functions as the literary equivalent of street art itself — low-culture elevated, the gutter made luminous, the marginalised voice amplified beyond its expected reach. The aluminium substrate speaks to Bukowski's own industrial, working-class Los Angeles world — hard, unromantic, but capable of reflecting light in unexpected ways. By including literary figures alongside art world contemporaries, Invader expands the collaboration's definition of 'trouble-makers' into a broader cultural pantheon of those who created on their own uncompromising terms.