Designated with a numeral suffix indicating it is the second work produced on the same date, this piece highlights Richter's intensive studio practice of producing multiple drawings in a single session. The colored ink and pencil medium allows for both spontaneous gesture and careful revision, embodying the dialectic between accident and intention that defines much of Richter's output. As a companion piece to another work from the same day, it invites comparison and reveals subtle variations in mood and execution. This series underscores the importance Richter places on repetition and variation as generative artistic strategies.