Bruce Conner presents two lithographic works numbered 111 and 112, created on BFK Rives paper in 1970 as part of his prolific printmaking practice. These works showcase Conner's distinctive approach to abstraction and gestural mark making characteristic of his artistic vocabulary. The lithographic medium allows for bold lines, rich tones, and complex layering of forms across the paper surface. Conner's prints from this period demonstrate his continued exploration of abstract composition and the expressive potential of printmaking techniques. These two works represent a moment in the artist's career when he was actively engaged with the experimental possibilities of lithography.