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Gerd Leufert — Fondo Negro
Gerd Leufert

Fondo Negro

A striking composition in mixed media on wood, Fondo Negro presents a bold interplay of form and texture against a commanding dark ground. Leufert's precise geometric sensibility merges with expressive material qualities, reflecting his mastery of visual communication rooted in both fine art and design. The work exemplifies his ability to balance austerity and elegance within a richly layered surface.

Medium
mixed media on wood
Spotted At
Auction House · Phillips

🔨 Auction Lot

Latin America

May 23, 2016

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More by Gerd Leufert

Gerd Leufert was born in Memel, a Lithuanian town occupied by Germany during WWI. He studied graphic design in Munich and became a member of the renowned and innovative Werkbun, an association of design and craftsmanship that initiated collaborations between artists, architects, craftsmen and manufacturers. After fighting in WWII, Leufert worked for numerous reputable publishing houses in Germany, and in 1951 he immigrated to Venezuela where he not only triumphed as a graphic designer, but also made important contributions in design and museology. In 1952, he began a close relationship with another European émigré, Gertrude Goldschmidt, better known in the art world as Gego. Leufert went on to work at the Museo de Bellas Artes de Caracas for over a decade and during his tenure he rebranded the museum’s visual identity, curating many innovative exhibitions and designing over two hundred award-winning exhibition catalogues.

Gerd Leufert was born in Memel, a Lithuanian town occupied by Germany during WWI. He studied graphic design in Munich and became a member of the renowned and innovative Werkbun, an association of design and craftsmanship that initiated collaborations between artists, architects, craftsmen and manufacturers. After fighting in WWII, Leufert worked for numerous reputable publishing houses in Germany, and in 1951 he immigrated to Venezuela where he not only triumphed as a graphic designer, but also made important contributions in design and museology. In 1952, he began a close relationship with another European émigré, Gertrude Goldschmidt, better known in the art world as Gego. Leufert went on to work at the Museo de Bellas Artes de Caracas for over a decade and during his tenure he rebranded the museum’s visual identity, curating many innovative exhibitions and designing over two hundred award-winning exhibition catalogues.

Upata

Upata

1966