This provocative 2025 work combines print on unstretched canvas with hand drawn ink illustrations, creating a hybrid artistic approach. The title Burn Me To Be Real suggests themes of purification, authenticity, and the sometimes painful journey toward truth. Edgar Plans uses the juxtaposition of printed and hand drawn elements to explore the tension between mass production and individual expression. The unstretched canvas adds an unconventional presentation that challenges traditional display methods. This piece invites contemplation on what it means to be genuine and authentic in contemporary society.