Fury
Fury is a limited edition marble sculpture by Brooklyn based artist Kozo that exemplifies his signature juxtaposition of classical antiquity and contemporary pop culture. The work features a classical bust split at the cranium, with a hand painted Hulk figurine appearing to hold the top of the head aloft in a display of raw power. Graffiti style text including the word SAVAGE is tattooed directly onto the marble surface, reflecting Kozos background as a tattoo artist who integrates needle and machine into his sculptural practice. Each of the 25 editions is signed by the artist, making this a rare and collectible statement piece.
- Medium
- Marble sculpture with hand painted figurine
- Dimensions
- Signed
- Yes
- Spotted At
- Gallery · Art Angels
Notes
Price listed as inquiry only on artangels.net. Marble sculpture with hand painted figurine. The bust features graffiti tattoo style text including SAVAGE and TIMELESS on the marble surface, consistent with Kozos tattoo machine technique. Artist is Brooklyn based with over one million social media followers and collaborations with Maison Margiela. Notable collectors include Chris Rock, Ben Simmons, A Boogie Wit da Hoodie, Adam Weitsman, and Daniella Pierson.
Spotted works by Kozo
Artists in conversation
Hiroshi Sugimoto
Japanese · b. 1948
Sugimoto shares Kozo's deeply meditative engagement with time, impermanence, and Zen influenced minimalism, creating works where process and material restraint carry philosophical weight. Both artists work at the intersection of Eastern contemplative tradition and Western conceptual frameworks using spare, refined aesthetics.
Richard Long
British · b. 1945
Long's practice of using natural materials such as mud, stone, and earth applied directly to paper and walls mirrors Kozo's reverence for raw natural substances and meditative process. Both artists foreground the philosophical and tactile relationship between human action and elemental materials.
Cy Twombly
American · b. 1928
Twombly's works on paper share Kozo's interest in mark making as a contemplative and almost calligraphic act, with surfaces that feel both ancient and immediate. His sparse gestural language and reverence for the silence between marks parallel Kozo's wabi sabi inflected minimalism.
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