WLS V, from White Line Squares (Series I)

A masterful exploration of color perception and optical illusion, this lithograph exemplifies Albers' lifelong investigation into the interactions between colors. Geometric squares are precisely layered within one another, separated by a thin white line that creates a luminous, almost vibrating spatial tension between the surrounding hues. Printed on Arches Cover paper, the work demonstrates Albers' belief that color is the most relative medium in art, constantly shifting in appearance based on its relationship to neighboring tones.