Series I, red wash (Maeght 276)

This 1961 lithograph by Joan Miró exemplifies the artist's mature abstract vocabulary, with gestural red washes and organic forms characteristic of his post-war practice. As a hors commerce impression, this print represents a privileged variant outside the edition of 30, printed on quality BFK Rives paper with generous margins that enhance the work's contemplative composition. The work demonstrates Miró's continued experimentation with color lithography, a medium through which he translated his spontaneous, biomorphic imagery into refined printmaking editions.