This second Aladdin work from 2010 demonstrates that Richter assigned the same title to multiple distinct lacquer-behind-glass pieces within the series, emphasizing the primacy of color experience over singular identification. Each iteration presents a unique chromatic field, inviting viewers to consider how color alone can convey distinct moods and sensations despite sharing a name. The lacquer-on-glass technique creates a surface that is simultaneously transparent and opaque, reflective and absorptive, challenging conventional perception of painted surfaces. Richter's use of the Aladdin motif across multiple works echoes the story's themes of repetition, illusion, and transformation. These works collectively underscore his belief in the power of pure visual sensation.