plasticine on wood in artist's wooden frame

Dan Rees presents a work that blurs the boundary between medium, object, and title, using the descriptive act of naming as the artwork itself. The piece invites viewers to question the relationship between material process and presentation, collapsing the distinction between what the work is made of and what it is called. Rees engages with conceptual strategies that foreground self-referentiality, turning the mundane specificity of craft materials into a deadpan, almost bureaucratic artistic statement.