cyanotype on linen, in two parts

Hugh Scott-Douglas's *cyanotype on linen, in two parts* presents a dualistic composition that explores the tension between photographic process and textile materiality. The work harnesses the ethereal blue tones characteristic of cyanotype printing, allowing chemical reactions to imprint ghostly, abstract forms directly onto the woven surface of linen. Through this intersection of analog photographic technique and fabric, Scott-Douglas investigates themes of indexicality, fragility, and the residual traces of light and time.