Judd pioneered minimalist three dimensional forms that reduce objects to their essential geometric qualities, mirroring Opie's reductive approach to sculpture. His use of industrial fabrication techniques and clean geometric volumes shares a direct lineage with this 3D printed architectural form.

LeWitt's geometric sculptures and structures distill complex forms into precise mathematical arrangements, closely paralleling Opie's simplified visual language in three dimensions. Both artists emphasize systematic reduction and the translation of conceptual ideas into clean fabricated forms.

Sosnowska creates contemporary sculptures that reduce architectural elements to their most essential geometric and structural components, closely aligning with Opie's distillation of architectural forms in this piece. Her work similarly bridges digital design processes with physical sculptural fabrication in a minimalist contemporary context.